Zenigata Koichi (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
greatinspector) wrote2012-04-23 10:11 pm
greatinspector) wrote2012-04-23 10:11 pm
Entry tags:
Case File 5 [Action/Voice] This is my Boomshack
[Early in the morning on the 23rd, Zenigata walks outside and into the forest clearing he's been working in for the last few months. The old cop had been carefully constructing a controlled environment for Lupin III to work, as well as a potential shelter for himself should something occur to his own apartment.
Lupin had given him plans, and Pops had followed to the best of his ability, which wasn't inconsiderable. His uncle had taught him how to do most carpentry things, and through his own ingenuity and skill with his hands he'd figured out the rest. Growing up in Post-War Japan had its benefits after all. Men were handy, because if you weren't and something went wrong then you were going to have to spend money that you didn't have to have it repaired. With what he'd had in Luceti, he'd managed to get a workable shack built with some windows,and it was wired for some basic functions, but would need a generator. Instead, some lanterns hung around, which would hopefully provide enough light.
The last thing he had to do was install working locks, which took only a few moments. Pops turned and wiped his hands satisfactorily before pulling out his journal and sending out a broadcast filtered to Lupin,Fujiko, Jigen, and the only person who'd actively helped him work on it, Adele LeBlanc. ]
[Filtered]
Ok folks, the Boomshack is officially finished. If you guys wanna come down, I'll give you keys so it can be used for...whatever really. Adele, I'd like to thank you for your help a few months back. I owe you a drink, so c'mon down here and get it whenever you feel like.
[Then Zenigata makes a generic broadcast to the entire village]
Alright everybody, this is Inspector Zenigata Koichi. I wanna apologize for all the racket around Community House 5 lately, I've been finishing up a project but I'm done now. Everything's fine, no problems. And hopefully with my job done, Lupin's more destructive urges can be curved and the community can be a bit safer.
All this work has got me thinking about my childhood. Is there anyone from Japan that grew up after the war? Y'know, the Second World War? I'd like ta know if that happened in any other worlds, and if it did, what was it like? If you aren't from Japan, then...can you tell me what your childhood was like? I'm just curious, gettin' a bit nostalgic in my old age. Lookin' back on it all, I'm wonderin' if I had an abnormal childhood, or a relatively normal one?
[Obviously Pops is asking because he's thinking back to life as a kid. He's worried that he's just accepting Luceti a bit to easy, and...for some reason thinks that his upbringing had made him just deal with the situation the wrong way.]
[Finally Pops sends off another message, this one [Filtered to Moro]
Moro, if you are still around, I wanna speak to you. If you're busy, thats OK.
Lupin had given him plans, and Pops had followed to the best of his ability, which wasn't inconsiderable. His uncle had taught him how to do most carpentry things, and through his own ingenuity and skill with his hands he'd figured out the rest. Growing up in Post-War Japan had its benefits after all. Men were handy, because if you weren't and something went wrong then you were going to have to spend money that you didn't have to have it repaired. With what he'd had in Luceti, he'd managed to get a workable shack built with some windows,and it was wired for some basic functions, but would need a generator. Instead, some lanterns hung around, which would hopefully provide enough light.
The last thing he had to do was install working locks, which took only a few moments. Pops turned and wiped his hands satisfactorily before pulling out his journal and sending out a broadcast filtered to Lupin,Fujiko, Jigen, and the only person who'd actively helped him work on it, Adele LeBlanc. ]
[Filtered]
Ok folks, the Boomshack is officially finished. If you guys wanna come down, I'll give you keys so it can be used for...whatever really. Adele, I'd like to thank you for your help a few months back. I owe you a drink, so c'mon down here and get it whenever you feel like.
[Then Zenigata makes a generic broadcast to the entire village]
Alright everybody, this is Inspector Zenigata Koichi. I wanna apologize for all the racket around Community House 5 lately, I've been finishing up a project but I'm done now. Everything's fine, no problems. And hopefully with my job done, Lupin's more destructive urges can be curved and the community can be a bit safer.
All this work has got me thinking about my childhood. Is there anyone from Japan that grew up after the war? Y'know, the Second World War? I'd like ta know if that happened in any other worlds, and if it did, what was it like? If you aren't from Japan, then...can you tell me what your childhood was like? I'm just curious, gettin' a bit nostalgic in my old age. Lookin' back on it all, I'm wonderin' if I had an abnormal childhood, or a relatively normal one?
[Obviously Pops is asking because he's thinking back to life as a kid. He's worried that he's just accepting Luceti a bit to easy, and...for some reason thinks that his upbringing had made him just deal with the situation the wrong way.]
[Finally Pops sends off another message, this one [Filtered to Moro]
Moro, if you are still around, I wanna speak to you. If you're busy, thats OK.
[Action]
I...uh...I wanted to say thank you. For, y'know, letting me build that shack. Didn't touch a single leaf.
[Action]
[Action]
[He's pretty accepting that Moro could probably do just that, and that he'd deserve it for defying a god]
Oh, yea. Fujiko told me I should ask you, a while back. Would it be alright if I were to clean up some of the dead wood and broken trees from around the woods? I know we had a pretty icy winter, and that usually means a nasty summer. The town could use the wood, and it'd be good to clear it up in case there was a wildfire.
[He does intend to use the wood for something to honor Moro, and the spirits here in Luceti as well]
[Action]
Leave the large logs for the soil. All else can be removed.
[Action]
[He offers a respectful bow.]
I said before I want to make a shrine for you and the other spirits in Luceti. I plan on using some of the wood for that.
[Action]
[Action]
[He shrugs]
Its only proper.
[Action]
[The god is pleased.]
[Action]
[He turns to go, politely inclining his head]
[Action]
[She chuckles, looking quite amused. But she'll let him leave regardless, of course, standing up and disappearing into the forest.]